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        Allison, Bernard [Highs & Lows]

        Street date: June 10 (LP) / CD available now (lower price). There's nothing like the sound of a world-class bluesman getting back to business. Last October, when Bernard Allison returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and reer-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album, "Highs & Lows", everything felt right with the world. For 56 years, music has been Bernard Allison's essence. As the youngest son of the much-missed Chigo bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King and Hound Dog Taylor.
        Black Stone Cherry [Live From The Royal Albert Hall Y'all! (2LP)]

        June 24 street date. On September 29, 2021 - the year of the band's 20th anniversary - Kentucky's favorite sons, Black Stone Cherry realized their childhood dream of playing at the legendary Royal Albert Hall, London. And they don't disappoint as they open with the explosive "Me and Mary Jane". From clubs to arenas and Festival headline performances, no one puts on the kind of show that these boys do. They tear through an impressive back talog, playing songs from their most recent studio album "The Human Condition" through to their biggest hits and fan favorites. The band have always belonged to the fans and vice versa, which is why when you hear those songs emanate from the stage and then sung back, every fan in the world n close their eyes and remember either being there or imagine being there and the sheer joy and pride in the boys for realizing a dream.
        Blanck Mass [Ted K (original score) (opaque red)]

        June 10 street date. In 2021 the story of the infamous Unabomber Ted Kaczynski received its theatril debut in a Tony Stone directed film, "Ted K". Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut "lm With Horses". This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for best original film score and has firmly established himself at the forefront of the latest wave of experimental soundspe wizards. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score of Ted K moves along. Power is able to perfectly pture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.
        Distillers [Sing Sing Death House (green/Anniversary edition)]

        June 24 street date. New coloured vinyl pressing to celebrate the 20th anniversary of The Distillers' iconic album! Improving on their very fine, self-titled debut album, "Sing Sing Death House" is battle-srred and resolute, but Brody's tough voice is more expressive than your average punker's and especially affecting when she flaunts the full range of her throaty snarl. On "Sene Falls", an appreciation of the women's suffrage movement set to chugging guitars and a thumpity-thump bass, there's an exceptional, goosebump-inducing though unintelligible chorus, which soars above the music beuse of the emotional quality of Brody's howl. Otherwise, the music is quite stirring, coming from a gang of gutter-punks with lip piercings.
        Dream Syndite [Ultraviolet Battle Hymns And True Confessions (black)]

        June 10 street date. The brand-new album from The Dream Syndite blends vintage Krautrock, Eno-like ambience, Neu-inspired rhythmic groove and a lifornian sun baked sheen into the their classic psychedelic, melodic, hue. The Dream Syndite have moved well past their early Velvet Underground influences and taken on British glam, German prog, and more. Featuring singer/songwriter/guitarist Steve Wynn, drummer Dennis Duck, bassist Mark Walton, lead guitarist Jason Victor plus their newest member Chris vas on keyboards, plus guest appearances from Stephen Mcrthy (of The Long Ryders) and Marcus Tenney's expressive sax and trumpet work.
        Gun Club [The Las Vegas Story (2LP super deluxe edition)]

        June 17 street date. With a howling and unholy mix of punk rock and the blues, Jeffrey Lee Pierce and The Gun Club exploded on the L.A. club scene in the early 80s. By 1984, the band had gone through a few lineup changes and expanded their musil palette to deliver "The Las Vegas Story", their most diverse effort to date. Pierce's original Gun Club co-conspirator guitarist Kid Congo Powers returned to the fold after quitting The Cramps to find that Pierce had now become an accomplished guitarist in his own right. Now the album is back as a double-vinyl set, containing a digitally remastered version of the original 11-track album produced by Jeff Eyrich. and a bonus disc with 10 live tracks recorded at Scorgie's in Rochester, New York on August 8, 1984. The LP also includes an exclusive download link for the video footage featured on the DVD.
        Horsegirl [Versions Of Modern Performance (indie edition/purple)]

        June 3 street date. Horsegirl are best friends. You don't have to talk to the indie rock trio for more than five minutes to feel the warmth and strength of their bond, which crackles through every second of their debut full-length, "Versions of Modern Performance". Penelope Lowenstein (guitar, vols), Nora Cheng (guitar, vols), and Gigi Reece (drums) do everything collectively, from song writing to trading vol duties and swapping instruments, to sound and visual art design. "Versions of Modern Performance" was recorded with John Agnello (Kurt Vile, The Breeders, Dinosaur Jr.) at Electril Audio, and across the record Horsegirl expertly play with texture, shape and shade, showsing their fondness for improvisation and experimentation. One n hear elements of the 1980s and 90s independent music the band love so deeply and sincerely - the scuzzy melodicism of what used to be lled "college rock", the cool, bubbly space-age sheen of the 90s vamps on lounge and noir; the warm, noisy roar of shoegaze; the economil hooks and rhythms of post-punk. But as Horsegirl fuse all of this together it feels not like a pastiche or a hacky retread, but something as playful and unique as its predecessors. 
        Also available: OLE1846LP (black vinyl) / OLE1846CD
        Interpol [The Other Side Of Make-Believe]

        July 15 street date. Interpol's 7th LP "The Other Side of Make-Believe" breaks fresh ground for the group: parallel to exploring the sinister undercurrents of contemporary life, their new songs are imbued with pastoral longing and newfound grace. Daniel Kessler's serpentine guitar arrangements crest skywards, Samuel Fogarino shatters his percussive precision into strange metres, while Paul Banks' sonorous voice exudes a vulnerability that is likely to tch most long-term fans of the band off guard. After all, says Banks, "there's always a seventh time for a first impression". On "The Other Side of Make-Believe", the band's deep interpersonal understanding means each member respects the other's respective strengths more than ever, letting Interpol's elemental qualities shine through. Ever the paradox, they have weathered nearly seven albums' and several line-ups' better than anyone might have predicted, never letting their sense of purpose or dedition espe. A quarter-century into their lifespan, Interpol are all fired up again.
        Jarvis, Yves [The Zug]

        June 24 street date. Elastic artist Yves Jarvis has announced his new album 'The Zug'. Like the many works under Jarvis' belt, 'The Zug' is an entirely self-produced venture. From instrumentation to engineering to artwork, the autodidact has forged a bastion for vanguard exploration within which no holds are barred. These creative mediums coalesce into a higher order of consciousness, depicting the cosmic dance we both represent inwardly and engage with outwardly.
        Joyce Manor [40 oz. To Fresno]

        Please note new street date: June 10. "40 oz. to Fresno" is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for. Joyce Manor has toured extensively and their live show has been the driver behind the band's success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA's historic Union Station. Barry Johnson and Chase Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums since 2011.
        Lekman, Jens [The Linden Trees Are Still In Blossom (2LP-crystal clear)]

        June 3 street date. sting his mind back over twenty years to his first rudimentary experiments with sampling using his father's old ssette recorder, Jens Lekman rells an instinct to create music that would set him far apart from his Swedish pop peers: "all my friends were playing in these bass-guitar-drum bands", he says. "I'm going to sound like Scott Walker. But I'm going to do it in my bedroom". Works of sweeping, maximalist, orchestral wonder sung in a sumptuous tenor, weaving lifts from obscure flea market vinyl records, telling burningly romantic and mordantly funny true-life tales from the sleepy-shadowy suburbs of Gothenburg, Lekman's early songs come from a different time and place: an era when the internet was young, limitless and disruptive, sample culture was turning music inside out, and anything felt possible. "The Cherry Trees Are Still In Blossom" and "The Linden Trees Are Still In Blossom" are a pair of lovingly and painstakingly assembled reduxes, each keeping the same core tracklisting, spirit and source material as the originals, but blending brand new versions of some tracks, in part or in whole, together with many tracks left largely as they were. Both records are fleshed out with rare, previously unreleased, and even previously unfinished old songs, as well as other contemporaneous material such as ssette diaries.
        Linda Lindas [Growing Up]

        June 3 street date (CD) / July 15 (LP) (date change). A product of generations of underground music in L.A. and beyond, The Linda Lindas' debut, "Growing Up", channels classic punk, post punk, power pop, new wave, and other surprises into timelessly tchy and cool songs sung by all four members - each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastilly approved by diehard followers in the pit at L.A.'s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of "Racist, Sexist Boy" for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.
        Musselwhite, Charlie [Mississippi Son (clear blue)]

        June 3 street date. Grammy award-winning blues icon Charlie Musselwhite returns to his Delta blues roots for the most ptivating musil statement of his long and legendary reer. Charlie's first new solo studio release in seven years is stripped-down and semi-acoustic, driven by his deft guitar playing, while also featuring the masterful harp and soul-deep vols for which he is famed. "Mississippi Son" is front porch country blues that is at turns raucous and languid, haunting and impossibly soulful. The track listing includes Musselwhite originals and songs by Charley Patton, Yank Rachell, and Big Joe Williams. This warm, intimate recording is loaded with feeling and exhilarating, timeless music. Essential listening for any blues fan.
        Olsen, Angel [Big Time (2LP-black)]

        June 3 street date. Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifitions. No matter how temporary we know these states to be, the vulnerability and transformation they demand n overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complite and explain each other; the songs that comprise Angel Olsen's "Big Time" were forged in such a whiplash. "I n't say that I'm sorry/when I don't feel so wrong anymore", the record begins, her voice softer and more open than ever, as if she's singing through a hard won smile. "Big Time" is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen's process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she'd been avoiding for some time. After that tearful but relieving conversation, she celebrated with her partner, their friends, oysters, and wine. Three days later, her father died; his funeral beme the ocsion for Olsen to introduce her partner to her family. Only two weeks later Olsen got the ll that her mother was in the ER. Hospice me soon after, and a second funeral me quickly on the heels of the first. The shards of this grief - the shortening of her chance to finally be seen more fully by her parents - are sttered throughout the album.
        Perfume Genius [Ugly Season (2LP/music to "The Sun Still Burns Here")]

        June 17 street date. The music of "Ugly Season" was written for Perfume Genius and choreographer Kate Wallich's immersive dance piece, "The Sun Still Burns Here". The work, commissioned by the Seattle Theatre Group and Mass Mo, was performed via residencies in Seattle, Minneapolis, New York City, and Boston throughout 2019. During this time, Perfume Genius shared two of the dance project's compositions - ‘Pop Song’ and ‘Eye in the Wall’. "It's the sound of dancefloor euphoria", said Pitchfork. Now the entirety of the project's original music n be heard in the expansive dance-centric double LP, "Ugly Season". The album, produced by Perfume Genius and GRAMMY-winning producer/collaborator Blake Mills, was created in collaboration with Mike Hadreas' long-time partner Alan Wyffels. Perfume Genius will support the release this summer with a nadian show at the PNE amphitheatre in Vancouver.
        Redd Kross [Neuroti (Peak Vinyl 2LP/colour/12 bonus tracks)]

        June 24 street date. Merge Records is thrilled to reissue "Neuroti" by Redd Kross, the 1987 power pop and alternative rock opus celebrating 35 years in 2022. The original album is remastered by JJ Golden (Pearl Jam, Thee Oh Sees) and then paired with 12 unreleased demos rediscovered in the archive of original A&R guy Geoffrey Weiss. "Neuroti" could be viewed as a "This Is Your Life"-esque document of what brothers Jeff & Steve McDonald had been working toward creatively since starting Redd Kross in their Hawthorne, living room cir 1978. The songs quake with punk rock fury. And how could they possibly have shaken off the untamed energy of their early Red Cross years which laid a foundation for Southern lifornia hardcore punk and DIY culture alongside bands like Black Flag, Circle Jerks, and Descendents? But fury is only part of their formula. To find the other parts, travel back to the 1970s, when the McDonald boys lived for nothing but Saturday morning rtoons, sugary cereal, bubblegum pop singles, Beach Boys LPs, Partridge Family TV specials, and the arena rock guitars of KISS and Cheap Trick. The double vinyl edition - the album on translucent turquoise, the demos on translucent orange - arrives in a slick gatefold jacket.
        Segall, Ty [Whirlybird - Original Motion Picture Soundtrack]

        Please note new street date: June 17. Drag City grandly presents "Whirlybird (Original Motion Picture Soundtrack)", featuring all-new music by Ty Segall, created for Matt Yoka's compelling new documentary.
        Smile [A Light For Attracting Attention (2LP)]

        June 17 street date. "A Light For Attracting Attention" is the debut from The Smile, but they're "not The Smile as in ha-ha-ha, more The Smile as in the guy who lies to you every day"... speaks Thom Yorke on the inspiration behind the supergroup that consists of his Radiohead bandmate Jonny Greenwood and drummer Tom Skinner of UK jazz outfit Sons of Kemet. The description was borne out of The Smile's acerbic first single "You Will Never Work In Television Again," a 2:48 blast of ragged, pulsing raw energy familiar to "The Bends" era Radiohead. Additional singles "The Smoke", "Skrting the Surface", "Pana-Vision" - which epilly closed the series finale of hit show "Peaky Blinders" - and "Free In The Knowledge" each enpsulate different aspects and dynamics of the project. All are collected on The Smile's double LP, "A Light For Attracting Attention", produced by Nigel Godrich and featuring the London Contemporary Orchestra and a full brass section of UK jazz players.
        Stars [From pelton Hill]

        Please note new street date: June 3. Stars return with the announce of their ninth album, "From pelton Hill". Focus single "Pretenders" showses their signature hook-heavy, dance-infused anthems that the band has been known for over 20+ years. Stars continue to prove themselves some of the finest musil storytellers in nada, moving through life with their fans.
        Stella [Up And Away]

        June 17 street date. Stella makes her Sub Pop debut with the mesmerizing "Up And Away", an old-school pop paean to the pangs and raptures of love. From the Greek folk-inflected get-go, we're swept up in her world - and it's quite the ptivating place to be. The singer-songwriter joined forces with artist and producer Tom lvert (aka Redinho), and it was a match made in Athens; the results are heavenly. Her songs have always riffed on Amerin and Greek mid-century pop but "Up And Away" doubles down on the vintage aesthetic. Tom says he styled the record "as if it was a rare gem from the 1960s found in a box of records in Athens", and Stella notes she was ready for a more "deeply Greek touch - it felt comfortable and right, smoothly fusing with the pop". By the end of the "Up And Away", the album's core concerns are clear: the conflicting and conflicted emotions inherent in love, that live on in ways we n't always understand or control.
        TV Priest [My Other People (LOSER edition-pink smoke coloured)]

        June 17 street date. Without a brutal evaluation of their own becoming, TV Priest might have never made their second album. Heralded as the next big thing in post-punk, they were established as a bolshy, sharp-witted outfit, the kind that starts movements with their politil ire. There was of course truth in that, but it was a suit that quickly felt heavy on its wearer's shoulders, leaving little room for true vulnerability. Having made music together since their teenage years, the London four-piece piqued press attention in late 2019 with their first gig as a newly solidified group, a raucous outing in the warehouse district of Hackney Wick. When their debut album "Uppers" arrived in the height of a global pandemic, it reaped praise from critics and fans alike for its "dystopian doublespeak". The tension between existential fear born from the constant uncertainties of life, and an armative, thartic urge to seize the moment, is central to "My Other People", a record that heals by providing space for recognition, a ground zero in which you're welcome to stay awhile but which ultimately only leads up and out. For TV Priest, it is a follow-up that feels truly, properly them; free of bravado, unnecessary bluster or any audience pressure to commit solely to their original sound.
        Wild Rivers [Songs To Break Up To (milky clear)]

        Please note new street date: June 10. With exquisite harmonies, gorgeous melodies and emotionally charged, tightly crafted lyrics, Wild Rivers deliver their unique blend of folk-pop songs that are at once inviting and infectious. On the "Songs To Break Up To" EP, the band transposes personal experiences into relatable anthems woven from strands of folk, indie, rock, pop, country, and beyond. The EP brings Wild Rivers - Khalid Yassein [guitar, vols, keys], Devan Glover [vols, bass], Andrew Oliver [lead guitar, bass], and Julien Laferrière [drums] - closer as it also draws listeners in.
        Yoo Doo Right [A Murmur, Boundless To The East (180g)]

        June 10 street date. After premiering its tracks for hometown fans inside the dome at Société des arts technologiques de Montréal in the Summer of 2020, post-everything outfit Yoo Doo Right knew there was but one way to record A Murmur, Boundless To The East: live off-the-floor at world-famous studio Hotel2Tango. To help achieve this vision, the musicians lled upon acclaimed record producer, Radwan Ghazi Moumneh (Suuns, Ought, Fly Pan Am), who deftly printed forty-five minutes of gritty experimental rock. Though dynamics and depth were always core elements in Yoo Doo Right’s music, A Murmur, Boundless To The East reaffirms the notion that the spectrum of sound is in fact infinite. Also thanks to the work of celebrated engineer Seth Manchester, tasked with mixing the opus at Machines With Magnets (Battles, Lightning Bolt, Lingua Ignota) in Pawtucket (RI), as well as that of Matthew Barnhart (FACS, Destroyer, METZ) at Chigo Mastering Services, fans of extremes in music are served with a long-player that fascinates and lingers. Also featuring inspired contributions from innovative violin player, Jessi Moss (Thee Silver Mt. Zion Memorial Orchestra & Tralala Band, Black Ox Orkestar), to compliment percussion, bass, guitar, synthesizers and vols, A Murmur, Boundless To The East is a must-have for fans of Godspeed You! Black Emperor, My Bloody Valentine, METZ, etc.
        Zola Jesus [Arkhon (eco mix coloured)]

        Please note new street date: June 24. There is a way a voice n cut through the fascia of reality, cleaving through habit into the raw nerve of experience. Nika Roza Danilova, the singer, songwriter, and producer who since 2009 has released music as Zola Jesus, wields a voice that does that. When you hear it, it is like you are being summoned to a place that's already wrapped inside you but obscured from conscious experience. This place has been buried beuse it tends to hold pain, but it's also a gift, beuse once it's opened, once you're inside of it, it n show you the truth. Zola Jesus's new album, "Arkhon", finds new ways of loosing this submerged, stalled pain. "Arkhon" sees Zola Jesus's first collaboration with producer Randall Dunn (Sunn O))), Earth, Mandy soundtrack, ndyman soundtrack) and with drummer and percussionist Matt Chamberlain, whose prior work appears on albums by Fiona Apple, Bob Dylan, and David Bowie. Through these turns, Arkhon reveals itself as an album whose power derives from abandon. Both its turmoils and its pleasures take root in the body, letting individual consciousness dissolve into the thick of the beat.

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